Deciphering “Alpha”
Julia Ducournau’s Alpha is a film that I’ve found really hard to talk about. At Cannes, everyone talks about what…
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PC Williams on Grief, Legacy, and Lagos in ‘My Father’s Shadow’
PC Williams’ costumes tell the story.
Spike Lee Jumps High and Stoops Low in Kurosawa Homage ‘Highest 2 Lowest’
This then begs the question: why the remake? Perhaps Spike Lee has something to say about modern American conditions via…
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Josh Mond on ‘It Doesn’t Matter’, Independent Filmmaking, and Creative Evolution
This afternoon, director Josh Mond took a moment away from the whirlwind of Cannes to discuss his latest film, It Doesn’t Matter, which…
The Fast and the Furiosa: A Frenzied Ride at the End of the World
The film follows Furiosa’s evolution from kidnapped little girl to ferocious road warrior.
Anxieties About the Future of Cinema at Cannes
After a year in the film industry dominated by conversations about artificial intelligence, it feels fitting that The 77th Cannes Film Festival opened…
No One Here is Alone: on Bird
After learning that her father, Bug (Barry Keoghan), has become engaged to his girlfriend of three months, twelve-year-old Bailey (Nykiya Adams) spends the…
Once Upon a Time Michel Legrand: Le Grand Artiste, Le Grand Documentaire!
For just a few hours, Michel Legrand was alive again.
Rafaat einy ll sama (The Brink of Dreams): Follow Young Egyptian Women Follow Their Hearts
Rafaat einy Il sama is a documentary that covers the lives of a group of bright adolescent Egyptian women who all participate in…
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Long Live ‘The Girls’
Sumitra Peries’ 1968 classic is given a new life with stunning new restoration
Caligula: The Ultimate Cut is a Waste of a Restoration
Point blank, Caligula: The Ultimate Cut is a terrible movie. Read to find out why.
Occupied City: Amsterdam’s Painful History Emotionally Distanced by Steve McQueen’s Objective Approach
Occupied City is a comprehensive history of the city of Amsterdam, specifically telling stories of places within the city related to the Nazi…
L’Amour Fou: Jacques Rivette’s Early Potential Unleashed
For my very first day in Cannes and very first screening, I watched Jacques Rivette’s L’Amour Fou (1969).
L’Amour Fou: A Self-Indulgent Roller Coaster of Pent-Up Anger
His descent into madness comes from his inability to separate his personal life with the power trip that having full control over a…
Sleep: Korean Comedy-Horror Too Refined for Its Own Good
Contrary to a title that suggests an Apichatpong Weerasethakul–style slow cinema experiment in collective dreaming, Sleep is a Korean comedy-horror billed as the…
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Journal: Day 0 (Part I)
We share our thoughts as we fly into France.
Journal: Day 0 (Part I)
We share our thoughts as we fly into France.
Review: Coupez !
Remake of Japanese horror farce does not live up to the original.
Journal: Day 1
How is the Festival going to top this?
Journal: Day 0 (Part II)
We share more thoughts as we arrive at France!
Review: Scarlet
The inexplicable charm of Pietro Marcello’s new film presents itself in a curlicued elegance.
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PC Williams on Grief, Legacy, and Lagos in ‘My Father’s Shadow’
PC Williams’ costumes tell the story.
The Beauty of Fatherhood: ‘My Father’s Shadow’ Review
If you look at the world through professional wrestling, it’s simple. On one side there are the good guys, the faces. The honest…
Pillion: Finally, Some Good F*cking F*cking
I watched Babygirl over Christmas break this past year while I was home in San Diego. None of my family wanted to go…
Spike Lee Jumps High and Stoops Low in Kurosawa Homage ‘Highest 2 Lowest’
This then begs the question: why the remake? Perhaps Spike Lee has something to say about modern American conditions via a gritty crime…
“A Real Bolshevik”: Two Prosecutors, Reviewed
Two Prosecutors, the latest film from Ukranian director Sergei Loznitsa, opens with a title card both perfunctory and pointed: “1937, the Height of…
‘Sound of Falling’ Notices You
Characters repetitively look into the center of the camera, generating an uneasy consciousness of the human spirit.
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