The Complicated Act of Remembering in ‘Elephant’
When “resurrecting” a tragedy and adapting it to a cinematic form, the filmmaker must be aware that they are making it infinite.
When “resurrecting” a tragedy and adapting it to a cinematic form, the filmmaker must be aware that they are making it infinite.
Like Camp Miasma’s resident slasher Little Death (Jack Haven), Schoenbrun’s film is a spear-wielding sex fiend with a penchant for penetrating the viewer…
Characters repetitively look into the center of the camera, generating an uneasy consciousness of the human spirit.