Sons of the Neon Night, and Hong Kong’s Messiah Film Problem
Out of the many films in and out of competition this year at Cannes, I had to be one of the few people…
Out of the many films in and out of competition this year at Cannes, I had to be one of the few people…
From long takes to POV shots, Kawamura pulls enough tricks out of his hat so that the film would only teeter on crumbling…
This then begs the question: why the remake? Perhaps Spike Lee has something to say about modern American conditions via a gritty crime…