“A Real Bolshevik”: Two Prosecutors, Reviewed
Two Prosecutors, the latest film from Ukranian director Sergei Loznitsa, opens with a title card both perfunctory and pointed: “1937,…
Two Prosecutors, the latest film from Ukranian director Sergei Loznitsa, opens with a title card both perfunctory and pointed: “1937,…
For as long as I have had an interest in film, the Cannes Film Festival has been my guiding light….
I watched Babygirl over Christmas break this past year while I was home in San Diego. None of my family…
It is always a treat to watch a new film from writer-director Paul Schrader, one of America’s foundational thinkers of film form and…
“What always draws me to a film idea is location, mood, and light,” says Carson Lund. In his directorial debut Eephus it’s a…
In the manner of so many of our most influential creatives and thinkers, the person of Jim Henson—creator of the Muppets, voice of…
When it comes to subject matters like the Holocaust, one can hardly afford to be diplomatic.
When Carolie Fargeat’s The Substance premiered at this year’s Festival de Cannes, the response was electric. It seemed immediately that the festival had…
Gilda and The Shrouds perform similar dances that flit between paranoid jealousy and nihilistic dissociation.
Two Prosecutors, the latest film from Ukranian director Sergei Loznitsa, opens with a title card both perfunctory and pointed: “1937, the Height of…
For as long as I have had an interest in film, the Cannes Film Festival has been my guiding light. I remember learning…
I watched Babygirl over Christmas break this past year while I was home in San Diego. None of my family wanted to go…
Men, women, and a camera. You might even add a cat in there just to make it a little fun.
It may be tempting to denounce film festivals such as Cannes as displays of self-aggrandizement for the ultra-wealthy. Yet, standing in a packed…
Before he died, Akira Kurosawa predicted Takeshi Kitano’s long-gestating project Kubi, when made, can be a masterpiece on par with his own epic…
Two Prosecutors, the latest film from Ukranian director Sergei Loznitsa, opens with a title card both perfunctory and pointed: “1937, the Height of…
For as long as I have had an interest in film, the Cannes Film Festival has been my guiding light. I remember learning…
I watched Babygirl over Christmas break this past year while I was home in San Diego. None of my family wanted to go…