How Sirât’s Writing Feels Like Torture Porn
Amidst the mayhem of queuing for a gala premiere at Cannes, I decided to take a break to catch a screening of Oliver…
Amidst the mayhem of queuing for a gala premiere at Cannes, I decided to take a break to catch a screening of Oliver…
Watching Sumitra Peries’ restored ‘Gehenu Lamai’ (The Girls) at its Cannes Classics premiere felt like witnessing a beautiful feat of magic. Almost half…
This afternoon, director Josh Mond took a moment away from the whirlwind of Cannes to discuss his latest film, It Doesn’t Matter, which…